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Al Stewart (born September 5, 1945) is a British songwriter and musician. He is best known for his 1976 single "Year of the Cat" and its 1978 follow-up "Time Passages" (both produced by Alan Parsons). Many of Stewart's songs are inspired by history; indeed, he is credited with creating his own genre, "historical folk rock". Stewart was born in Glasgow, Scotland but grew up in the coastal resort town of Bournemouth, Dorset, England.He emigrated to the United States as his career took off in the mid 1970s, and still lives in California. While studio albums are now few and far between, he still tours extensively in the United States, and, most years, in Europe. Recordings of concerts are often made available through his fan clubs.//Stewart's first record was a single, "The Elf/"Turn Into Earth", which was released in 1966 on Decca Records. He then signed to CBS, with whom he released six albums. The first four of these attracted only minor interest within the British music scene, although they contain some of Stewart's most incisive songwriting. The songs on Stewart's debut album, Bedsitter Images (1967), were somewhat stifled by the dramatic string orchestration (Stewart premiered the album with an orchestra at the Royal Festival Hall in London). Love Chronicles (1969) was a distinct improvement, and was notable for the 18-minute title track, an anguished autobiographical tale of sexual encounters which was the first mainstream release ever to include the word "fucking". Orange (1972) was very much a transitional album, combining songs in Stewart's confessional style with early examples of the historical songwriting that he would increasingly come to adopt.The fifth release, Past, Present and Future, was a substantial step forward. It contained the song "Nostradamus", a long (9:43) track in which Stewart tied into the 're-discovery' of the claimed seer's writings by noting selected possible predictions about twentieth century people and events. While too long for major-market radio airplay at that time, the song became a hit on many US college/university radio stations, which had formats that allowed for such songs
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