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Victor Wooten Tickets
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The Victor Wooten schedule can be dificult to keep up with.
View the events as we get them. Many event dates will be announced well in
advance and are subject to change. In any event The Victor Wooten
schedules will be updated regularly. On the day of any Victor Wooten
events, you may call 281-447-1579 for a schedule of times and events
performing. Times are also subject to change. Visit our site frequently as
new events are posted daily as we get them. If you dont see an event you are
looking for please give us a call and we will research the event further for
you. On the night of any Victor Wooten event, Northside tickets will
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Victor Lemonte Wooten (born September 11, 1964) is an American virtuoso electric bass guitar player and is regarded by many of his peers as one of the finest players to emerge in the 1990s, if not of all time (he is sometimes reffered to as "the Michael Jordan of bass").The youngest of five brothers, he was taught by his older brother Regi to play bass at age three, and by age five Victor could hold simple bass lines and play gigs. The Wooten Brothers band (Regi, Rudy, Roy, Joseph and Victor) played for many years in the 1970s around Williamsburg, Virginia in the Busch Gardens theme park, as well as opening up for Curtis Mayfield and War. After moving to Nashville, Tennessee in 1988 Victor was immediately recruited by blues and soul singer Jonell Mosser. A year later he was hired by banjo maestro Béla Fleck, along with keyboardist and harmonica player Howard Levy and Victor's brother Roy Wooten (a.k.a. Future Man). Their group, Béla Fleck and the Flecktones, became famous first by playing a mixture of jazz, funk, and bluegrass, then later becoming one of the most stylistically free-swinging bands of the modern era. (Levy eventually left the group and was replaced by saxophonist and horn player Jeff Coffin.)Wooten has also been a member of several fusion and progressive supergroups, including Bass Extremes (with Steve Bailey, Derico Watson and Oteil Burbridge), the Vital Tech Tones (with Scott Henderson and Steve Smith), and the "Extraction" trio (with Greg Howe and Dennis Chambers). Victor has also been on tour with many other bands including the Dave Matthews Band.The evolution of a higher standard in electric bass guitar construction methods, such as a lower action (the distance from the string to the neck) more akin to that of a six-string electric guitar, allowed Wooten to develop many new fingering techniques that were essentially undiscovered before his time. He further developed the double-thumbing technique (created by Stanley Clarke), which utilizes the thumb and ultra light gauge strings in a manner similar to a guitar pick in conjunction with a funk slapping technique, and the open-hammer-pluck technique, which sometimes uses multiple hammer-ons from open strings to the desired fretted pitch.Wooten is most often seen playing Fodera basses, of which he has a signature model. His most famous Fodera, a 1983 Monarch Deluxe which he refers to as "number 1", sports a Kahler Tremolo System model 2400 bridge. Fodera's "Yin Yang" basses (designed/created for Wooten) incorporate the Yin Yang symbol - which Wooten often uses in various media - as a main focal point of the top's design and construction. It is often mistakenly thought that the Yin Yang symbol is painted onto the bass, but in reality, the symbol is created from two pieces of naturally finished wood (Ebony and Holly, for example), seamlessly fitted together to create the Yin-Yang pattern.Though Wooten's beautiful and impressive basses receive much attention, his most frequent and consistent response when asked by his fans about which bass is best, etc ..., is that "the bass makes no music ... you do". He'll often go on to state that the most important feature to look for in a bass is comfort of playability. This seems closely related to another fundamental truth about Wooten's stated approach to, and experience of bass and music in general, which is that music is a language. According to Wooten, when speaking or listening, we don't focus on the mouth as it is forming words; similarly, when a musician is playing or performing, the focus shouldn't be on the instrument
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