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Rodgers & Hammerstein Tickets
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Rodgers and Hammerstein were an American songwriting duo consisting of Richard Rodgers (1902 – 1979) and Oscar Hammerstein II (1895 – 1960). They are most famous for creating a string of immensely popular Broadway musicals in the 1940s and 1950s, during what is considered the golden age of the medium. Five of their shows were outstanding successes: Oklahoma! (their first collaboration); Carousel; South Pacific; The King and I; and The Sound of Music. Among the many accolades they garnered were thirty-four Tony Awards; fifteen Academy Awards; two Pulitzer Prizes; two Grammy Awards; and two Emmy Awards.The pair wrote nine musicals together and collaborated on a musical film, State Fair. As producers, they also brought Irving Berlin's Annie Get Your Gun to the stage [1], leaving an indelible mark on American musical theater and a legacy of successes that has never been equaled. Their joint efforts continued over a twenty-year period, until Hammerstein's death in 1960.//Rodgers had previously been in a successful partnership with Lorenz Hart; among their Broadway hits were the shows Babes in Arms, Pal Joey and A Connecticut Yankee. Hammerstein, a co-writer of the popular Rudolf Friml operetta Rose-Marie, began a successful collaboration with composer Jerome Kern on Sunny, which was a great hit; their 1927 musical Show Boat is considered to be one of the masterpieces of the American musical theatre. Among other, Hammerstein continued to work with Kern and operetta composer Sigmund Romberg on shows such as Sweet Adeline, Music in the Air and Very Warm for May. Although the last of these was panned by critics as a failure, it contained one of Kern and Hammerstein's best-loved songs, All the Things You Are.In the meantime, Lorenz Hart sank deeper into alcoholism and became more unreliable, prompting Rodgers (so it is claimed[citation needed]) to approach Hammerstein to ask if he would consider the possibility of working with him. They supposedly made a secret arrangement, which came into force when Hart was not available to work on the project that was to become Oklahoma! When working with Hart, Rodgers would always write the music for Hart to write the lyrics. However, when he teamed up with Hammerstein, Hammerstein would write the lyrics first and then Rodgers would write the music
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