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Lee Konitz Tickets
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For Lee Konitz Advance Ordering Schedule or Lee Konitz Advance Ordering tickets availability click above link
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Advanced ordering for the Lee Konitz before the event goes
on sale is available. A fan may call to order for an event before it goes on
sale to the public. We can guarantee getting our Customers the seats they are
looking for. We do not Guarantee a row but we can guarantee an area. For the
Lee Konitz advanced ordering, a fifty percent deposit is required in
advance of the general public on sale. Call one of our sales associates
today at 281-447-1579 and place your Lee Konitz advanced order
today. There are no refunds for deposits once a deposit is placed. You may
request an up grade at any point and we can make every effort to accomadate
you. Lee Konitz advance ordering is the best way to lock in your
seats before the event sells out thru the general on sale. Its really the
best way to get the best seats for a premium.
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Lee Konitz (born October 13, 1927 in Chicago, Illinois) is an American jazz composer and saxophone player.Konitz is sometimes regarded as the preeminent cool jazz saxophonist, because he performed and recorded with Claude Thornhill, Lennie Tristano (both often cited as important cool jazz proponents of the mid 1940s), and with Miles Davis' on his epochal Birth of the Cool, which gave the form its name.Konitz has also been repeatedly noted as one of the few jazz saxophonists of the late 1940s and 1950s who did not seem imitative of the massively influential Charlie Parker.In the early 1950s, Konitz recorded and toured with Stan Kenton's orchestra.In 1961, he recorded Motion with Elvin Jones on drums and Sonny Dallas on bass. This spontaneous session, widely regarded as a classic in the cool genre, consisted entirely of standards. The loose trio format aptly featured Konitz's unorthodox phrasing and chromaticism.In 1967, Konitz recorded The Lee Konitz Duets, a series of duets with various musicians. The duo configurations were often unusual for the period (saxophone and trombone, two saxophones). The recordings drew on very nearly the entire history of jazz, from a Louis Armstrong dixieland number with valve trombonist Marshall Brown to two completely free duos: one with a Duke Ellington associate, violinist Ray Nance, and one with guitarist Jim Hall
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