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Who's Afraid of Virginia Woolf Tickets
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Who's Afraid of Virginia Woolf Parking can sometimes be Tedious. There are many
Parking options. There is free parking around the event. Sometimes this may
be of some distance. A fan could walk any where from a block to 5 blocks to
get to any of the Who's Afraid of Virginia Woolf events. There is a drop off point and
fans maybe dropped off and picked up accordingly.
Another option for Who's Afraid of Virginia Woolf Parking may be the paid Parking.
Paid Parking is generally very close to the entrance of the Venue. You can
obtain Paid parking from our website generally at the bottom of the list of
ticket availability. When ordering Who's Afraid of Virginia Woolf Parking be sure arrive
a little early for the best Parking Spots.
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Who's Afraid of Virginia Woolf? is a play by Edward Albee that opened on Broadway at the Billy Rose Theater on October 13, 1962. The original cast featured Uta Hagen as Martha, Arthur Hill as George, Melinda Dillon as Honey and George Grizzard as Nick. It was directed by Alan Schneider. Subsequent cast members included Henderson Forsythe, Eileen Fulton, Mercedes McCambridge and Arthur Hill.In the play, Martha and George, a bitter erudite couple, invite a new professor and his wife to their house after a party. There they continue drinking and engage in relentless, scathing verbal and sometimes physical abuse in front of them. Martha is the daughter of the president of the university where George works as a history professor. Nick is a biology professor (who Martha insists teaches math) and Honey is his mousy, brandy-abusing wife.The title is a parody of the song "Who's Afraid of the Big Bad Wolf?" from Disney's animated version of The Three Little Pigs; it is implied, but never made clear, that "Who's afraid of Virginia Woolf?" is an improvised lyric someone from the previous party invented in a moment of drunken wit. Martha and George repeatedly needle each other over whether either one of them found it funny. The reference to Virginia Woolf as nothing more than a meaningless pun may reflect something of the tone of the play, combining a reference to high culture with banal, immature schoolyard cruelty. The impenetrability of the reference - in what context was it made? what was the rest of the song? - also reflects the impenetrability of the fictions George and Martha weave while playing their "games."Nick and Honey are simultaneously fascinated and embarrassed, and stay even though the abuse turns periodically towards them as well./
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