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The Cunning Little Vixen Tickets
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All The Cunning Little Vixen sales are final. No refunds or exchanges
will be honored. Be sure to order only what you need. Upgrades are available
for a premium.
In the event that a The Cunning Little Vixen event cancels a refund will be given.
If a new date is scheduled there will be no refunds. Usually the event will
reschedule and your tickets will be good for the new date. If an event
cancels 30 days will be given before refunds begin to see if a new date is
announced. If no new The Cunning Little Vixen event is rescheduled a full refund
at this point is given.
If you have any questions about a refund feel free to call 281-447-1579. If
for some reason you can not make the new date, Northsidetickets.com will
offer to resell your tickets. Northsidetickets does not accept
responsability of paying for these tickets until they have resold.
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The Cunning Little Vixen (Príhody Lišky Bystroušky, literally "The Adventures of Vixen Sharp-Ears," in Czech) is an opera by Leoš Janácek, with a libretto adapted by the composer from a serialized novella (daily comic) by Rudolf Tesnohlídek, which was first published in newspaper Lidové noviny. It was premiered on 6 November 1924 in Brno.This is Janácek's lightest opera, and, despite the titular vixen's death at the end of the work, it stands in contrast to the often brutally serious nature of operas such as Jenufa and Káta Kabanová. As is the case with many of his works, the heroine represents a woman, Kamila Stösslová, with whom Janácek had a long infatuation. In The Cunning Little Vixen, the composer moved away from the more conversational style of previous and subsequent operas in favor of a more folk-like style.At Janácek's request, the final scene from The Cunning Little Vixen was performed at his funeral in 1928.//Act I: In the forest, the animals and insects are playing and dancing around. The forester (baritone) enters and lays down against a tree for a nap. The Vixen (soprano), in baby (cub?) form (usually sung by a young girl I believe), quisitivly chases a frog right into the lap of the surprised forester who forcibly takes her home as a pet. Time passes (in the form of an orchestral interlude) and we see the Vixen, now grown (to full size soprano), tied up in the foresters yard with the conservative old dachshund (mezzo). Fed up with life in confinement, the vixen chews through her rope, attacks the chickens, and hops the fence to freedom
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