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Tickets
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The Cunning Little Vixen Tickets
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The Cunning Little Vixen Parking can sometimes be Tedious. There are many
Parking options. There is free parking around the event. Sometimes this may
be of some distance. A fan could walk any where from a block to 5 blocks to
get to any of the The Cunning Little Vixen events. There is a drop off point and
fans maybe dropped off and picked up accordingly.
Another option for The Cunning Little Vixen Parking may be the paid Parking.
Paid Parking is generally very close to the entrance of the Venue. You can
obtain Paid parking from our website generally at the bottom of the list of
ticket availability. When ordering The Cunning Little Vixen Parking be sure arrive
a little early for the best Parking Spots.
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The Cunning Little Vixen (Príhody Lišky Bystroušky, literally "The Adventures of Vixen Sharp-Ears," in Czech) is an opera by Leoš Janácek, with a libretto adapted by the composer from a serialized novella (daily comic) by Rudolf Tesnohlídek, which was first published in newspaper Lidové noviny. It was premiered on 6 November 1924 in Brno.This is Janácek's lightest opera, and, despite the titular vixen's death at the end of the work, it stands in contrast to the often brutally serious nature of operas such as Jenufa and Káta Kabanová. As is the case with many of his works, the heroine represents a woman, Kamila Stösslová, with whom Janácek had a long infatuation. In The Cunning Little Vixen, the composer moved away from the more conversational style of previous and subsequent operas in favor of a more folk-like style.At Janácek's request, the final scene from The Cunning Little Vixen was performed at his funeral in 1928.//Act I: In the forest, the animals and insects are playing and dancing around. The forester (baritone) enters and lays down against a tree for a nap. The Vixen (soprano), in baby (cub?) form (usually sung by a young girl I believe), quisitivly chases a frog right into the lap of the surprised forester who forcibly takes her home as a pet. Time passes (in the form of an orchestral interlude) and we see the Vixen, now grown (to full size soprano), tied up in the foresters yard with the conservative old dachshund (mezzo). Fed up with life in confinement, the vixen chews through her rope, attacks the chickens, and hops the fence to freedom
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