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Tickets
THEATER
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Yankee Doodle Dandy Tickets
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For Yankee Doodle Dandy Refund Policy Schedule or Yankee Doodle Dandy Refund Policy tickets availability click above link
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| Yankee Doodle Dandy |
All Yankee Doodle Dandy sales are final. No refunds or exchanges
will be honored. Be sure to order only what you need. Upgrades are available
for a premium.
In the event that a Yankee Doodle Dandy event cancels a refund will be given.
If a new date is scheduled there will be no refunds. Usually the event will
reschedule and your tickets will be good for the new date. If an event
cancels 30 days will be given before refunds begin to see if a new date is
announced. If no new Yankee Doodle Dandy event is rescheduled a full refund
at this point is given.
If you have any questions about a refund feel free to call 281-447-1579. If
for some reason you can not make the new date, Northsidetickets.com will
offer to resell your tickets. Northsidetickets does not accept
responsability of paying for these tickets until they have resold.
Northsidetickets offers this service to help keep our customers happy.
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Yankee Doodle Dandy is a 1942 biographical film about George M. Cohan, starring James Cagney, Joan Leslie, Walter Huston, Richard Whorf, Irene Manning, George Tobias, Rosemary DeCamp and Jeanne Cagney.The movie was written by Robert Buckner and Edmund Joseph, and directed by Michael Curtiz. According to the special edition DVD, significant and uncredited improvements were made to the script by the famous "script doctors" twin brothers Julius J. Epstein and Philip G. Epstein.The title song (properly titled "The Yankee Doodle Boy") was Cohan's trademark piece, a patriotic pastiche drawing from the lyrics and melody of the old Revolutionary War number, Yankee Doodle. Other Cohan tunes in the movie included "Give My Regards to Broadway", "Harrigan", "Mary's a Grand Old Name", "You're a Grand Old Flag" and "Over There".Cagney was a fitting choice for the role, as a fellow Irish-American who had been a song-and-dance man himself early in his career. His unique and seemingly odd presentation style, of half-singing and half-reciting the songs, reflected the style that Cohan himself used. His natural dance style and physique were also a good match for Cohan. Newspapers at the time reported that Cagney intended to consciously imitate Cohan's song-and-dance style, but to play the normal part of the acting in his own style. Although director Curtiz was famous for being a taskmaster, he also give his actors some latitude, and Cagney and other players improvised a number of "bits of business" as Cagney called them.Although a number of the biographical particulars of the movie are Hollywoodized fiction (omitting the fact that Cohan divorced and remarried, for example, and taking some liberties with the chronology), care was taken to make the sets, costumes and dance steps match the original stage presentations. This effort was aided significantly by a former associate of Cohan's, Jack Boyle, who knew the original productions well. Boyle also appeared in the film in some of the dancing groups.The film won Academy Awards for Best Actor in a Leading Role (James Cagney), Best Music, Scoring of a Musical Picture and Best Sound, Recording. It was nominated for Best Actor in a Supporting Role (Walter Huston), Best Director, Best Film Editing for George Amy, Best Picture and Best Writing, Original Story. Curtiz failed to win Best Director for this picture because he instead took home the Oscar for Casablanca, in a very busy year for the famous director. The film has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry
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