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Tickets
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Yankee Doodle Dandy Tickets
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For Yankee Doodle Dandy Schedule or Yankee Doodle Dandy tickets availability click above link
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Tickets--Tickets.Com is one stop online shop to buy Yankee Doodle Dandy Tickets. Find detailed information to Buy Yankee Doodle Dandy tickets or to Buy Yankee Doodle Dandy THEATER tickets at our online store.
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Advanced ordering for the Yankee Doodle Dandy before the event goes
on sale is available. A fan may call to order for an event before it goes on
sale to the public. We can guarantee getting our Customers the seats they are
looking for. We do not Guarantee a row but we can guarantee an area. For the
Yankee Doodle Dandy advanced ordering, a fifty percent deposit is required in
advance of the general public on sale. Call one of our sales associates
today at 281-447-1579 and place your Yankee Doodle Dandy advanced order
today. There are no refunds for deposits once a deposit is placed. You may
request an up grade at any point and we can make every effort to accomadate
you. Yankee Doodle Dandy advance ordering is the best way to lock in your
seats before the event sells out thru the general on sale. Its really the
best way to get the best seats for a premium.
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Yankee Doodle Dandy is a 1942 biographical film about George M. Cohan, starring James Cagney, Joan Leslie, Walter Huston, Richard Whorf, Irene Manning, George Tobias, Rosemary DeCamp and Jeanne Cagney.The movie was written by Robert Buckner and Edmund Joseph, and directed by Michael Curtiz. According to the special edition DVD, significant and uncredited improvements were made to the script by the famous "script doctors" twin brothers Julius J. Epstein and Philip G. Epstein.The title song (properly titled "The Yankee Doodle Boy") was Cohan's trademark piece, a patriotic pastiche drawing from the lyrics and melody of the old Revolutionary War number, Yankee Doodle. Other Cohan tunes in the movie included "Give My Regards to Broadway", "Harrigan", "Mary's a Grand Old Name", "You're a Grand Old Flag" and "Over There".Cagney was a fitting choice for the role, as a fellow Irish-American who had been a song-and-dance man himself early in his career. His unique and seemingly odd presentation style, of half-singing and half-reciting the songs, reflected the style that Cohan himself used. His natural dance style and physique were also a good match for Cohan. Newspapers at the time reported that Cagney intended to consciously imitate Cohan's song-and-dance style, but to play the normal part of the acting in his own style. Although director Curtiz was famous for being a taskmaster, he also give his actors some latitude, and Cagney and other players improvised a number of "bits of business" as Cagney called them.Although a number of the biographical particulars of the movie are Hollywoodized fiction (omitting the fact that Cohan divorced and remarried, for example, and taking some liberties with the chronology), care was taken to make the sets, costumes and dance steps match the original stage presentations. This effort was aided significantly by a former associate of Cohan's, Jack Boyle, who knew the original productions well. Boyle also appeared in the film in some of the dancing groups.The film won Academy Awards for Best Actor in a Leading Role (James Cagney), Best Music, Scoring of a Musical Picture and Best Sound, Recording. It was nominated for Best Actor in a Supporting Role (Walter Huston), Best Director, Best Film Editing for George Amy, Best Picture and Best Writing, Original Story. Curtiz failed to win Best Director for this picture because he instead took home the Oscar for Casablanca, in a very busy year for the famous director. The film has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry
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