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Lou Reed Tickets
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All Lou Reed sales are final. No refunds or exchanges
will be honored. Be sure to order only what you need. Upgrades are available
for a premium.
In the event that a Lou Reed event cancels a refund will be given.
If a new date is scheduled there will be no refunds. Usually the event will
reschedule and your tickets will be good for the new date. If an event
cancels 30 days will be given before refunds begin to see if a new date is
announced. If no new Lou Reed event is rescheduled a full refund
at this point is given.
If you have any questions about a refund feel free to call 281-447-1579. If
for some reason you can not make the new date, Northsidetickets.com will
offer to resell your tickets. Northsidetickets does not accept
responsability of paying for these tickets until they have resold.
Northsidetickets offers this service to help keep our customers happy.
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Lewis Allen "Lou" Reed born (March 2, 1942) is an American rock and roll singer-songwriter, originally from Brooklyn, New York. Beginning while a member of the The Velvet Underground in the 1960s, Reed broke new ground for the rock genre in several important dimensions, influencing rock music in general, introducing more adult and intellectual themes to what was then considered a music genre for children and teenagers.Reed first found prominence as the guitarist and principal singer-songwriter of The Velvet Underground. The band, which lasted from 1965 until 1973 (with Reed departing in late 1970 during the Loaded sessions), gained relatively little notice during its life but is often considered the seed from which most alternative traditions of rock music sprang. As the Velvets’ songwriter, Reed wrote about such taboo subjects as S&M ("Venus in Furs"), transvestites ("Sister Ray"), transsexuals ("Lady Godiva's Operation"), prostitution ("There She Goes Again"), and drug use (“I’m Waiting for the Man”, "White Light/White Heat", “Heroin”). As a guitarist, he made innovative use of abrasive distortion, volume-driven feedback, and nonstandard tunings. Reed's flat, New York voice, stripped of superficial emotions and, like Bob Dylan's, flaunting its lack of conventional training, was no less important to the music's radical effect.Reed began a long and varied solo career in 1972. He scored a hit that year with "Walk on the Wild Side". For more than a decade he then seemed purposely to evade mainstream commercial success. One of rock's most volatile personalities, Reed made inconsistent albums that frustrated critics who wished for a return of the Velvet Underground. The most notable example is 1975's infamous double LP of recorded feedback loops, Metal Machine Music, upon which Reed later commented, "no one is supposed to be able to do a thing like that and survive."Despite erratic turns, Reed's work won him by the late 1980s wide recognition as an essential elder statesman of rock. He had for decades written frankly on subjects more intense than the genre had seemed capable of handling. The industry had matured, to the extent that his commercial position as an "art rocker" was secure. He is also good friends with playwright, poet, and former president of the Czech Republic Václav Havel, with whom he has met for public forums.Reed has lived in New York City for most of his life and much of his music invokes the city, earning the singer comparisons (which he has encouraged) to William Faulkner and James Joyce as writers of regional interest./
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