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Rhapsody in Blue Refund Policy SYMPHONY Tickets
SYMPHONY Tickets
EVENTS->SYMPHONY
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Rhapsody in Blue Tickets
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For Rhapsody in Blue Refund Policy Schedule or Rhapsody in Blue Refund Policy tickets availability click above link
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All Rhapsody in Blue sales are final. No refunds or exchanges
will be honored. Be sure to order only what you need. Upgrades are available
for a premium.
In the event that a Rhapsody in Blue event cancels a refund will be given.
If a new date is scheduled there will be no refunds. Usually the event will
reschedule and your tickets will be good for the new date. If an event
cancels 30 days will be given before refunds begin to see if a new date is
announced. If no new Rhapsody in Blue event is rescheduled a full refund
at this point is given.
If you have any questions about a refund feel free to call 281-447-1579. If
for some reason you can not make the new date, Northsidetickets.com will
offer to resell your tickets. Northsidetickets does not accept
responsability of paying for these tickets until they have resold.
Northsidetickets offers this service to help keep our customers happy.
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Rhapsody in Blue is a composition by George Gershwin for solo piano and orchestra or band written in 1924 which combines elements of classical music with jazz-influenced effects.//After the success of an experimental classical-jazz concert held with French-Canadian singer Eva Gauthier at Aeolian Hall on 1 November 1923, band leader Paul Whiteman decided to attempt something more ambitious.[1] He asked Gershwin to contribute a concerto-like piece for an all-jazz concert he would give in Aeolian Hall in February 1924. Whiteman became interested in featuring such an extended composition by Gershwin in the concert after he had collaborated with Gershwin in the Scandals of 1922, impressed by the original performance of the one-act opera Blue Monday, which was a commercial failure.[2]Gershwin was not too enthusiastic on it as his musical Sweet Little Devil was due to open in New York on 21 January and there was to be a tryout in Boston on 7 January. There would certainly be call for revisions to the score and he felt that he would not have enough time to compose the new piece.[2]Late on the evening of 3 January, at the Ambassador Billiard Parlor at Broadway and 52nd Street in Manhattan, while George Gershwin and Buddy De Sylva were playing billiards (George lost), his brother Ira Gershwin was reading the 4 January edition of the New York Tribune. [2][3] An article titled as "What Is American Music?" about the Whiteman concert caught his attention, which the final paragraph claimed that "George Gershwin is at work on a jazz concerto, Irving Berlin is writing a syncopated tone poem and Victor Herbert is working on an American suite.
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