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Paul Westerberg (born December 31, 1959) is an American musician, best known as the former lead singer and songwriter of The Replacements, one of the seminal alternative rock bands of the 1980s.He worked as a janitor in the Twin Cities; according to Replacements lore, he was walking back from work one day and happened to hear a punk band practicing in the basement. Westerberg talked his way into the band by convincing the singer that the other band members - Bob Stinson, Chris Mars and Tommy Stinson- were going to fire him. The singer quit and Westerberg joined the group, which eventually became known as The Replacements.The Replacements quickly made a name for themselves in the Twin Cities punk scene, largely thanks to Westerberg's songwriting. The band made several critically acclaimed albums for local label Twin/Tone before signing to Sire Records in 1985. Despite the jump to Sire, the Replacements never translated their critical success into commercial sales though he was known by his fans as PWIG (Paul Westerberg Is God. Winona Ryder considered Paul her personal Jesus.[citation needed]By 1990, the band had run its course. The 1990 Replacements album All Shook Down was for all intents and purposes a Westerberg solo project: there are numerous guest performers and the other three members of the band (including Slim Dunlap, who had replaced Bob Stinson three years earlier to tour in support of "Pleased to Meet Me") make minimal contributions. Mars left the band during this project. After touring behind the album (which was well-received) with replacement Replacements, Tommy and Paul went their separate ways.Westerberg's first official solo work appeared in the form of two songs, "Waiting For Somebody" and "Dyslexic Heart," for the soundtrack to the 1992 Cameron Crowe film Singles. The following year Reprise records released his first solo album, 14 Songs. During the interim between solo albums, Westerberg appeared on Melrose Place (1994) and Friends (1995) televison soundtracks as well as a duet with Joan Jett for the Tank Girl soundtrack (1994). 1996 heralded the appropriately titled Eventually, which met with critical indifference and poor sales. Westerberg parted ways with Reprise records and the following year choose to release songs with a more comical slant under alter ego Grandpaboy. An EP and single were released by Indie label Soundproof/Monolyth Records. His third album Suicaine Gratifaction is a piano driven, melancholy and highly personal work recorded in Westerberg's basement studio using vintage recording equipment. The album was released on Capitol Records in 1999; the label was undergoing reorganization, and failed to push the album.Westerberg quit the major label circuit, and disappeared for three years before staging a major comeback in 2002. With new management and a new indie label, Vagrant Records, he released two records released simultaneously, Stereo and Mono (Mono being released under his alter ego Grandpaboy). Like Suicaine Gratifaction, Stereo and Mono were recorded in Westerberg's basement studio. They were acclaimed as his best works since the Replacements, and Westerberg became increasingly prolific, releasing Dead Man Shake, Come Feel Me Tremble and Folker all within the next two years, to critical success
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