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Dance of Death Tickets
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All Dance of Death sales are final. No refunds or exchanges
will be honored. Be sure to order only what you need. Upgrades are available
for a premium.
In the event that a Dance of Death event cancels a refund will be given.
If a new date is scheduled there will be no refunds. Usually the event will
reschedule and your tickets will be good for the new date. If an event
cancels 30 days will be given before refunds begin to see if a new date is
announced. If no new Dance of Death event is rescheduled a full refund
at this point is given.
If you have any questions about a refund feel free to call 281-447-1579. If
for some reason you can not make the new date, Northsidetickets.com will
offer to resell your tickets. Northsidetickets does not accept
responsability of paying for these tickets until they have resold.
Northsidetickets offers this service to help keep our customers happy.
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La Danse Macabre, also called Dance of death, La Danza Macabra, or Totentanz, is a late-medieval allegory on the universality of death: no matter one's station in life, the dance of death united all. La Danse Macabre consists of the personified death leading a row of dancing figures from all walks of life to the grave—typically with an emperor, king, pope, monk, youngster, beautiful girl, all in skeleton-state. They were produced under the impact of the Black Death, reminding people of how fragile their lives were and how vain the glories of earthly life were. Its origins are postulated from illustrated sermon texts, the earliest artistic examples are in a cemetery in Paris from 1424.//The earliest artistic example is from the frescoed cemetery of the Church of the Holy Innocents in Paris (1424). There are also works by Konrad Witz in Basel (1440), Bernt Notke in Lübeck (1463) and woodcuts by Hans Holbein the Younger (1538).The deathly horrors of the 14th Century—such as recurring famines, the Hundred Years' War in France and, most of all, the Black Death—were culturally digested throughout Europe. The omnipresent possibility of sudden and painful death increased the religious desire for penitence, but it also evoked a hysterical desire for amusement while still possible, a last dance as a cold comfort. The danse macabre combines both desires: similar to the popular mediaeval mystery plays, the dance-with-death allegory was originally a didactic play to remind people of the inevitability of death and to advise them strongly to be prepared all times for death (see memento mori).The earliest examples of such plays, which consisted of short dialogs between Death and each of its victims, can be found in the direct aftermath of the Black Death in Germany, where it was known as the Totentanz, but also in Spain as la Danza de la Muerte. The French word danse macabre most likely derives from Latin Chorea Machabæorum, literally "dance of the Maccabees". 2 Maccabees, a deuterocanonical book of the Bible in which the grim martyrdom of a mother and her seven sons is described, was a well-known mediaeval subject. It is possible that the Maccabean Martyrs were commemorated in some early French plays or that people just associated the book’s vivid descriptions of the martyrdom with the interaction between Death and its prey. Both, the play and the evolving paintings were ostensive penitential sermons which even the illiterate people (who were in the overwhelming majority) could understand
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