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Björk Guðmundsdóttir (IPA: ['pjœr?k 'kv?ðm?nsto?ht?r]) was born November 21, 1965 in Reykjavík, Iceland) and is an Icelandic singer/songwriter and composer (formerly the lead singer of post-punk band The Sugarcubes), with a great expressive range and an interest in many kinds of music including pop, trip hop, alternative rock, jazz, ambient music, electronica, folk, and classical music.//Björk's musical career began at the age of eleven, when she began studying classical piano in elementary school. One of her instructors submitted a recording of Björk singing Tina Charles' song "I Love to Love" to RÚV, then the only radio station in Iceland. The recording was aired nationally; upon hearing it, a representative of the record label Fálkinn contacted Björk with a record contract offer. With the help of her stepfather, who played guitar, she recorded her eponymous debut in 1977. This album featured several Icelandic children's songs, and covers of popular songs such as the Beatles' "The Fool on the Hill", sung in Icelandic. The album sold enough copies in Iceland to have gone platinum, but standards for platinum status are different than in America and other large countries because of Iceland's relatively small population.Punk music began to have an influence on Björk; at the age of fourteen, she formed the all-girl punk band Spit and Snot, shortly followed by a jazz fusion group called Exodus in 1979. In 1980, she graduated from music school at the age of fifteen, and in 1981, she and bassist Jakob Magnússon formed another band called Jam-80, and then they turned into Tappi Tíkarrass (which means "Cork the Bitch's Ass" in Icelandic), and released an extended single, "Bítið Fast í Vítið" in the same year. Their album Miranda was released in 1983.Björk next collaborated with Einar Örn Benediktsson and Einar Melax from Purrkur Pillnikk, and Guðlaugur Óttarsson, Sigtryggur Baldursson and Birgir Mogensen from Þeyr. After writing songs and rehearsing for two weeks, they (under the name KUKL which means "sorcery" in Icelandic) found they worked well together, and decided to continue, developing a sound that some have described as resembling Goth music. Björk began to show indications of what would become her trademark singing style, punctuated with howls and shrieks
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