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Bobby Short Tickets
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For Bobby Short Schedule Schedule or Bobby Short Schedule tickets availability click above link
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The Bobby Short schedule can be dificult to keep up with.
View the events as we get them. Many event dates will be announced well in
advance and are subject to change. In any event The Bobby Short
schedules will be updated regularly. On the day of any Bobby Short
events, you may call 281-447-1579 for a schedule of times and events
performing. Times are also subject to change. Visit our site frequently as
new events are posted daily as we get them. If you dont see an event you are
looking for please give us a call and we will research the event further for
you. On the night of any Bobby Short event, Northside tickets will
usually stay late to help or answer any questions. If you have some new
helpful information about the upcoming Bobby Short Schedule, We would
like to know about it.
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Bobby Short (September 15, 1924 – March 21, 2005) was an American cabaret singer known for his interpretation of songs by early 20th century composers such as Rodgers and Hart, Cole Porter, Jerome Kern, Harold Arlen, Vernon Duke and George Gershwin and Ira Gershwin. He also championed African-American composers of the same period such as Eubie Blake, James P. Johnson, Andy Razaf, Fats Waller and Duke Ellington and Billy Strayhorn, presenting their work not in a polemical way, but as simply the obvious equal of that of their paler contemporaries. His dedication to his great love -- what he called the "Great American Song" --left him equally adept at performing the witty lyrics of Bessie Smith's "Gimme a Pigfoot" or Gershwin and Duke's I Can't Get Started with You.Short always said his favorite songwriters were Ellington, Arlen and Kern, and he was instrumental in spearheading the construction of the Ellington Memorial in his beloved New York City.He was born Robert Waltrip Short in Danville, Illinois, where one of his school classmates was Dick Van Dyke. He began performing as a busker after leaving home at the age of eleven for Chicago, with his mother's permission. He started working in clubs in the 1940s, and in 1968 settled at the Cafe Carlyle in New York City, where he became an institution.There an alchemy of traits -- his seemingly-effortless elegance; his vocal phrasing (perfected, as was that of Frank Sinatra's, at the feet of Miss Mabel Mercer, with perhaps also some help from Ethel Waters); his genius for presenting unknown songs worth knowing while keeping well-known songs fresh; his rollicking stride piano style subtly informed by his side playing of the classical composers; his infectious good cheer; his resolute, self-disciplined professionalism; and most of all, his joy, his ever-abounding joy in the great American song -- made him an inimitable, seductive, sensational, marvelous, simply marvelous, great American treasure
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