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Bobby Short Tickets
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For Bobby Short Advance Ordering Schedule or Bobby Short Advance Ordering tickets availability click above link
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Advanced ordering for the Bobby Short before the event goes
on sale is available. A fan may call to order for an event before it goes on
sale to the public. We can guarantee getting our Customers the seats they are
looking for. We do not Guarantee a row but we can guarantee an area. For the
Bobby Short advanced ordering, a fifty percent deposit is required in
advance of the general public on sale. Call one of our sales associates
today at 281-447-1579 and place your Bobby Short advanced order
today. There are no refunds for deposits once a deposit is placed. You may
request an up grade at any point and we can make every effort to accomadate
you. Bobby Short advance ordering is the best way to lock in your
seats before the event sells out thru the general on sale. Its really the
best way to get the best seats for a premium.
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Bobby Short (September 15, 1924 – March 21, 2005) was an American cabaret singer known for his interpretation of songs by early 20th century composers such as Rodgers and Hart, Cole Porter, Jerome Kern, Harold Arlen, Vernon Duke and George Gershwin and Ira Gershwin. He also championed African-American composers of the same period such as Eubie Blake, James P. Johnson, Andy Razaf, Fats Waller and Duke Ellington and Billy Strayhorn, presenting their work not in a polemical way, but as simply the obvious equal of that of their paler contemporaries. His dedication to his great love -- what he called the "Great American Song" --left him equally adept at performing the witty lyrics of Bessie Smith's "Gimme a Pigfoot" or Gershwin and Duke's I Can't Get Started with You.Short always said his favorite songwriters were Ellington, Arlen and Kern, and he was instrumental in spearheading the construction of the Ellington Memorial in his beloved New York City.He was born Robert Waltrip Short in Danville, Illinois, where one of his school classmates was Dick Van Dyke. He began performing as a busker after leaving home at the age of eleven for Chicago, with his mother's permission. He started working in clubs in the 1940s, and in 1968 settled at the Cafe Carlyle in New York City, where he became an institution.There an alchemy of traits -- his seemingly-effortless elegance; his vocal phrasing (perfected, as was that of Frank Sinatra's, at the feet of Miss Mabel Mercer, with perhaps also some help from Ethel Waters); his genius for presenting unknown songs worth knowing while keeping well-known songs fresh; his rollicking stride piano style subtly informed by his side playing of the classical composers; his infectious good cheer; his resolute, self-disciplined professionalism; and most of all, his joy, his ever-abounding joy in the great American song -- made him an inimitable, seductive, sensational, marvelous, simply marvelous, great American treasure
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