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Youssou N'Dour (born October 1, 1959 in Dakar) is a Senegalese singer. He helped develop popular music in Senegal, known in the Wolof language as mbalax, a blend of the country's traditional griot percussion and praise-singing with the Afro-Cuban arrangements and flavors which made the return trip from the Caribbean to West Africa in the 1940s, 50s, and 60s and have flourished in West Africa ever since.//Beginning in the mid-1970s the resulting mix was modernized with a gloss of more complex indigenous Senegalese dance rhythms, roomy and melodic guitar and saxophone solos, chattering talking-drum soliloquies and, on occasion, Sufi-inspired Muslim religious chant. This created a new music which was at turns nostalgic, restrained and stately, or celebratory, explosively syncopated and indescribably funky. Younger Senegalese musicians steeped in Jimi Hendrix, Carlos Santana, James Brown, and the whole range of American jazz, soul, and rock music, which Senegal's cosmopolitan capital, Dakar, had enthusiastically absorbed, were rediscovering their heritage and seeking out traditional performers, particularly singers and talking drummers, to join their bands. (The griots—musicians, praise-singers and storyteller-historians—comprise a distinct hereditary caste in Wolof society and throughout West Africa.) As it emerged from this period of fruitful musical turbulence, mbalax would eventually find in Youssou N'Dour the performer who has arguably had more to do with its shaping than any other individual.He began performing at the age of 12. Within a couple of years he was performing regularly with the Star Band, Dakar's most popular group in the early 1970s. Several members of the Star Band joined Orchestre Baobab about that time
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