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Disco Inferno Tickets
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For Disco Inferno Refund Policy Schedule or Disco Inferno Refund Policy tickets availability click above link
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All Disco Inferno sales are final. No refunds or exchanges
will be honored. Be sure to order only what you need. Upgrades are available
for a premium.
In the event that a Disco Inferno event cancels a refund will be given.
If a new date is scheduled there will be no refunds. Usually the event will
reschedule and your tickets will be good for the new date. If an event
cancels 30 days will be given before refunds begin to see if a new date is
announced. If no new Disco Inferno event is rescheduled a full refund
at this point is given.
If you have any questions about a refund feel free to call 281-447-1579. If
for some reason you can not make the new date, Northsidetickets.com will
offer to resell your tickets. Northsidetickets does not accept
responsability of paying for these tickets until they have resold.
Northsidetickets offers this service to help keep our customers happy.
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Disco Inferno was a band formed in Essex in the late 1980s by Ian Crause (guitar & vocals), Paul Wilmott (bass), Rob Whatley (drums) and Daniel Gish (keyboards).After the departure of Gish (who would later join Bark Psychosis) the three-piece Disco Inferno recorded the single 'Entertainment' with producer Charlie McIntosh. Their first album, Open Doors, Closed Windows, was released in 1991 on Che and received positive reviews, although most mentioned the heavy influence of late 1970s post punk bands, particularly Joy Division and Wire (In fact Disco Inferno's manager, Michael Collins, had previously managed Wire during their 70's incarnation).'Entertainment', Open Doors, Closed Windows and the 'Science' EP would later be collected on the album In Debt.In 1992 the band released 'Summer's Last Sound', widely regarded as the first in a run of classic Disco Inferno EPs which saw the band's increasing use of samples.The band's use of sampling combined with traditional instruments - particularly Wilmott's bass - continued on the EPs 'A Rock To Cling To' and 'The Last Dance' and reached it's peak on their second album D.I. Go Pop.The melody on the album's 8 tracks is often carried by the bassline, while an imaginative array of samples (including running water, breaking glass, car crashes, fax machines) builds dense aural collages. Unlike many of the post rock bands Disco Inferno were labelled alongside, the music on D.I. Go Pop was harsh and concise, with Crause's vocals (often buried in the mix) concerning frustration rather than bliss
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