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Dido or Elissa appears as the founder and first Queen of Carthage (in modern-day Tunisia). She is best known from the account given by the Roman poet Virgil in his Aeneid.The name Elissa is probably a Greek rendering of the Phoenician Elishat. The name Dido, used mostly by Latin writers, seems to be a Phoenician form meaning "Wanderer" and was perhaps the name under which Elissa was most familiarly known in Carthage.//The person of Elissa can be traced back to references by Roman historians to lost writings of Timaeus of Tauromenium in Sicily (c. 356–260 BC). Timaeus apparently dated the foundation of Carthage to 814 BC (or 813 BC) but he also placed the founding of Rome in the same year, which suggests legend had been at work.Other historians gave other dates, both for the foundation of Carthage and the foundation of Rome. Appian in the beginning of his Punic Wars claims that Carthage was founded by a certain Zorus and Carchedon, but Zorus looks like an alternate transliteration of the city name Tyre and Carchedon is just the Greek form of Carthage. Timaeus made Carchedon's wife Elissa the sister of King Pygmalion of Tyre, and modern scholars still put Pygmalion (Pumayyaton) on the throne at that time, so Timaeus' date usually appears in modern chronologies as the normal dubious and legendary date for the founding of Carthage. Yet archaelogy has yet to find any evidence of settlement on the site of Carthage before the last quarter of the 8th century BC. So the whole story might be legendary or the synchronism between Elissa and Pygmalion might be legendary or archaelogists may have as yet missed important evidence for earlier settlement. That the city is named Qart-hadasht "New City" at least indicates it was a colony. (There is another Qart-hadasht in Cyprus)
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Text your news & pics
Text your news or pictures (plus 'SLNEWS' or 'SLPICS') to 80360. click here for details »
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Photo Journal and Recap: Carmen Triumphs (Again) at the Opéra Comique
Bizet's famed heroine Carmen returned this June to the place where it all began, in a critically-heralded new production by Adrian Noble. Frank Cadenhead was on hand to experience the staging held at the opulent newly-renovated Opéra Comique.
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What Carthage Women Wanted, as Imagined (and Danced) by Men
Mark Morris’s danced production of Purcell’s opera “Dido and Aeneas” was performed at the Shubert Theater as part of the International Festival of Arts and Ideas.
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Going Out: Remember September and other stories
Thanks to the rhyming genius of "Try to Remember," we're acquainted with the kind of September when life was slow and mellow, grains were yellow, and you were a tender and callow fellow. This July, Repertory Philippines will restage The Fantasticks, the play that prompted Tom Jones -- the musical theater lyricist and not the tight-trousered pop singer -- to pen lyrics beckoning audiences to ...
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