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Fatboy Slim (born Quentin Leo Cook on July 16, 1963, also known as Norman Cook) is a British musician in the dance music genre. His style is known as big beat, a combination of hip hop, breakbeat, rock, and rhythm and blues. He stopped using 'Quentin' and began calling himself 'Norman' long before he adopted any other pseudonym.//Cook grew up in Reigate, Surrey, UK, and was educated at Reigate Grammar School. He started a punk fanzine as a teenager and at sixth-form college met Paul Heaton. At 18, Cook went to the University of Brighton to study a BA in English, Politics and Sociology. Although he had begun DJing some years before, it was at this time that he began to develop his skills on the thriving Brighton club scene. In 1985 he was diverted by a call from his old friend, Paul Heaton. Heaton had moved to Hull and had formed a guitar band called The Housemartins.The Housemartins' bassist had just quit on the eve of their first national tour and, although Cook had lost interest in the rock scene and could barely play a musical instrument, he agreed to move to Hull to join them. The band soon had a hit single with "Happy Hour". They also reached number one just before Christmas 1986 with a version of "Caravan of Love". However, by 1988 they had split up. Heaton and the band's drummer Dave Hemingway went on to form The Beautiful South, while Cook moved back to Brighton to pursue his interest in the style of music he preferred. It was at this time that he first started working with young studio engineer Simon Thornton, with whom he continues to make records. All Cook's records released from that point onwards have involved both of them to varying degrees (Thornton is credited in 2004 as "Executive Producer" for example).Cook formed Beats International, a loose confederation of studio musicians including vocalists Lindy Layton, Lester Noel, D.J. Baptiste, rapper MC Wildski, and keyboardist Andy Boucher. Their first album, Let Them Eat Bingo (included the Number 1 single, "Dub Be Good to Me"). "Dub Be Good To Me" caused a legal dispute revolving around allegations of infringement of copyright through the liberal use of unauthorised samples: the bassline was a note-for-note lift from The Clash's "The Guns Of Brixton" and the song also borrowed heavily from the S.O.S. Band's "Just Be Good To Me". The 1991 follow-up album Excursion on the Version, an exploration of dub and reggae rhythms, failed to repeat the success of its predecessor

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