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Sergio Mendes Parking can sometimes be Tedious. There are many Parking options. There is free parking around the event. Sometimes this may be of some distance. A fan could walk any where from a block to 5 blocks to get to any of the Sergio Mendes events. There is a drop off point and fans maybe dropped off and picked up accordingly.
Another option for Sergio Mendes Parking may be the paid Parking. Paid Parking is generally very close to the entrance of the Venue. You can obtain Paid parking from our website generally at the bottom of the list of ticket availability. When ordering Sergio Mendes Parking be sure arrive a little early for the best Parking Spots.

Sérgio Santos Mendes (born Niterói, 11 February 1941) is a Brazilian musician. Born the son of a physician in Niterói, Brazil, Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was taking off. Mendes played with Antonio Carlos Jobim (regarded as a mentor), and many U.S. jazz musicians who toured Brazil.Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderly and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Brasil '66 group name with Capitol Records and Atlantic Records. When sales were tepid, he replaced his Brazilian born vocalist Wanda Sa with the distinctive voice of Chicago native Lani Hall (who learned Mendes' Portuguese material phonetically) and switched to Herb Alpert's A&M label and released Sergio Mendes and Brasil '66. (Hall would later marry Alpert). The album ultimately went platinum based largely upon the success of the single Mas Que Nada and the personal support of Alpert, with whom Mendes toured regularly. Though his early singles with Brasil '66 (most notably Mas Que Nada) met with some success, Mendes really burst into mainstream prominence when he performed the Oscar nominated Burt Bacharach/Hal David song "The Look of Love" on the Academy Awards telecast in March 1968. Brasil '66's version of the song quickly shot into the top 10, eclipsing Dusty Springfield's version from the soundtrack of the movie, and Mendes spent the rest of 1968 enjoying consecutive top 10 and top 20 hits with his follow-up singles, "The Fool on the Hill" and "Scarborough Fair." Though he continued to enjoy adult contemporary chart successes with Brasil '66 through 1971, he would not experience the mainstream chart hits he enjoyed in 1968 until his comeback album in 1983 generated the biggest single of his career, "Never Gonna Let You Go." However, from 1968 on, Mendes was arguably the biggest Brazilian star in the world, enjoying immense popularity worldwide and performing in venues as varied as stadium arenas and the White House, where he gave concerts for both President Johnson and President Nixon.Mendes' career in the U.S. stalled in the mid-70s, but he remained very popular in South America and Japan. (This disparity became a Seinfeld in-joke.) His two albums with Bell Records in 1973 and 1974, followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing." In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. He has released over thirty-five albums, and still plays his bossa nova heavily crossed with jazz and funk.//Timeless (Sergio Mendes album) features a wide array of neo-soul and alternative hip hop guest artists, most prominently will.i.am of The Black Eyed Peas. It was released February 14, 2006 by Concord Records. The first track, "Mas Que Nada", was featured on commercials of Joga Bonito/Nike Football and 2006 FIFA World Cup video game

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Please note that we are privately owned and operated and are not affiliated with TicketMaster(R) or any other box office or venue. We obtain quality seating and our prices reflect The cost of finding them. Great Seats are worth it. Pricing is subject to change without notice. All sales are final. No refunds, returns or exchanges unless the event cancels. We may agree to try to help Resell the seats in the event you can not make it to the event. Upon The completion of the 2nd sale, the credit to the first order will be credited. Our aim is to please if we can. Enjoy the really big show.