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Sergio Mendes Tickets
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For Sergio Mendes Advance Ordering Schedule or Sergio Mendes Advance Ordering tickets availability click above link
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Advanced ordering for the Sergio Mendes before the event goes
on sale is available. A fan may call to order for an event before it goes on
sale to the public. We can guarantee getting our Customers the seats they are
looking for. We do not Guarantee a row but we can guarantee an area. For the
Sergio Mendes advanced ordering, a fifty percent deposit is required in
advance of the general public on sale. Call one of our sales associates
today at 281-447-1579 and place your Sergio Mendes advanced order
today. There are no refunds for deposits once a deposit is placed. You may
request an up grade at any point and we can make every effort to accomadate
you. Sergio Mendes advance ordering is the best way to lock in your
seats before the event sells out thru the general on sale. Its really the
best way to get the best seats for a premium.
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Sérgio Santos Mendes (born Niterói, 11 February 1941) is a Brazilian musician. Born the son of a physician in Niterói, Brazil, Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was taking off. Mendes played with Antonio Carlos Jobim (regarded as a mentor), and many U.S. jazz musicians who toured Brazil.Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderly and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Brasil '66 group name with Capitol Records and Atlantic Records. When sales were tepid, he replaced his Brazilian born vocalist Wanda Sa with the distinctive voice of Chicago native Lani Hall (who learned Mendes' Portuguese material phonetically) and switched to Herb Alpert's A&M label and released Sergio Mendes and Brasil '66. (Hall would later marry Alpert). The album ultimately went platinum based largely upon the success of the single Mas Que Nada and the personal support of Alpert, with whom Mendes toured regularly. Though his early singles with Brasil '66 (most notably Mas Que Nada) met with some success, Mendes really burst into mainstream prominence when he performed the Oscar nominated Burt Bacharach/Hal David song "The Look of Love" on the Academy Awards telecast in March 1968. Brasil '66's version of the song quickly shot into the top 10, eclipsing Dusty Springfield's version from the soundtrack of the movie, and Mendes spent the rest of 1968 enjoying consecutive top 10 and top 20 hits with his follow-up singles, "The Fool on the Hill" and "Scarborough Fair." Though he continued to enjoy adult contemporary chart successes with Brasil '66 through 1971, he would not experience the mainstream chart hits he enjoyed in 1968 until his comeback album in 1983 generated the biggest single of his career, "Never Gonna Let You Go." However, from 1968 on, Mendes was arguably the biggest Brazilian star in the world, enjoying immense popularity worldwide and performing in venues as varied as stadium arenas and the White House, where he gave concerts for both President Johnson and President Nixon.Mendes' career in the U.S. stalled in the mid-70s, but he remained very popular in South America and Japan. (This disparity became a Seinfeld in-joke.) His two albums with Bell Records in 1973 and 1974, followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-Bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing." In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. He has released over thirty-five albums, and still plays his bossa nova heavily crossed with jazz and funk.//Timeless (Sergio Mendes album) features a wide array of neo-soul and alternative hip hop guest artists, most prominently will.i.am of The Black Eyed Peas. It was released February 14, 2006 by Concord Records. The first track, "Mas Que Nada", was featured on commercials of Joga Bonito/Nike Football and 2006 FIFA World Cup video game
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