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The Caretaker Tickets
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The Caretaker is a play by Harold Pinter, first published in 1959. The story involves two brothers, Aston and Mick, who share a small flat together in London and let an old man, Davies, come to live with them for a few weeks. As the action unfolds it becomes clear that all the characters have dreams which they seem unlikely ever to fulfill, and the tension created among them is great at times. Harold Pinter uses innovative language, especially to show the misunderstanding between the characters, especially the way they purposely misinterpret each other, his use of language is very amazing and effective, in conventional drama, we see how striking it is, and how important language is in means of communication, in contrast to this Pinter’s characters speak in broken sentences, have silent moments, repeat themselves for no apparent reason, they don’t even listen to what is said to each other, and they appear to fake their understanding of each other, its very much argued that this is a break with the artificiality of conventional dramatic language in order to show realism. Yet fascinatingly realism isn’t a good explanation of Pinter’s language. They key to grasp how the caretaker works is to focus on the relationships and the psychology in the relationships. We should ask what the motive is for the characters repeating things and saying things they are saying. Pinter gets these three interacting in psychological power games, ranging in importance from slight and funny to dark and menacing. It's not plot that concerns him, but situation; not what has happened, but what is happening. He tries and fails to play them off one another, but in the end both reject him. If they symbolize parts of the psyche, as one critic claimed long ago, then Davies probably represents a massive, violent id. At one point when verbally attacked, he pulls a knife.The Caretaker is a play by Harold Pinter, first published in 1959. The story involves two brothers, Aston and Mick, who share a small flat together in London and let an old man, Davies, come to live with them for a few weeks. As the action unfolds it becomes clear that all the characters have dreams which they seem unlikely ever to fulfill, and the tension created among them is great at times. Harold Pinter uses innovative language, especially to show the misunderstanding between the characters, especially the way they purposely misinterpret each other, his use of language is very amazing and effective, in conventional drama, we see how striking it is, and how important language is in means of communication, in contrast to this Pinter’s characters speak in broken sentences, have silent moments, repeat themselves for no apparent reason, they don’t even listen to what is said to each other, and they appear to fake their understanding of each other, its very much argued that this is a break with the artificiality of conventional dramatic language in order to show realism. Yet fascinatingly realism isn’t a good explanation of Pinter’s language. They key to grasp how the caretaker works is to focus on the relationships and the psychology in the relationships. We should ask what the motive is for the characters repeating things and saying things they are saying. Pinter gets these three interacting in psychological power games, ranging in importance from slight and funny to dark and menacing. It's not plot that concerns him, but situation; not what has happened, but what is happening. He tries and fails to play them off one another, but in the end both reject him. If they symbolize parts of the psyche, as one critic claimed long ago, then Davies probably represents a massive, violent id. At one point when verbally attacked, he pulls a knife.The Caretaker is a play by Harold Pinter, first published in 1959. The story involves two brothers, Aston and Mick, who share a small flat together in London and let an old man, Davies, come to live with them for a few weeks. As the action unfolds it becomes clear that all the characters have dreams which they seem unlikely ever to fulfill, and the tension created among them is great at times. Harold Pinter uses innovative language, especially to show the misunderstanding between the characters, especially the way they purposely misinterpret each other, his use of language is very amazing and effective, in conventional drama, we see how striking it is, and how important language is in means of communication, in contrast to this Pinter’s characters speak in broken sentences, have silent moments, repeat themselves for no apparent reason, they don’t even listen to what is said to each other, and they appear to fake their understanding of each other, its very much argued that this is a break with the artificiality of conventional dramatic language in order to show realism. Yet fascinatingly realism isn’t a good explanation of Pinter’s language. They key to grasp how the caretaker works is to focus on the relationships and the psychology in the relationships. We should ask what the motive is for the characters repeating things and saying things they are saying. Pinter gets these three interacting in psychological power games, ranging in importance from slight and funny to dark and menacing. It's not plot that concerns him, but situation; not what has happened, but what is happening. He tries and fails to play them off one another, but in the end both reject him. If they symbolize parts of the psyche, as one critic claimed long ago, then Davies probably represents a massive, violent id. At one point when verbally attacked, he pulls a knife
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