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Glengarry Glen Ross is the title of a 1984 Pulitzer Prize and Tony-winning play by David Mamet. The play shows parts of two days in the lives of four desperate Chicago real estate agents who are prepared to engage in any number of unethical and/or illegal acts (from lies and flattery to bribery, threats and intimidation to burglary) in order to sell undesirable real estate to unwilling prospective buyers. The play draws partly on Mamet's experiences of life in a Chicago real estate office, where he worked briefly as a typist in the late 1960s. The title of the play comes from the names of two of the real estate developments being peddled by the salesmen characters.//The play is noteworthy for the flow of persuasive patter of the salesmen characters, who spend much time trying to convince customers, the oily office manager, and even each other to give them what they want: down payments for real estate, access to valuable sales leads, and even co-operation in conspiracies. The play also shocked audiences with its (for the time) raw language, with its roughly 150 uses of the word "fuck" or variations, as in this early scene, when desperate salesman Shelley Levene tries to persuade the office manager, Williamson, to give Levene prospects (or "leads") to sell to:There's significant controversy over lines in Glengarry Glen Ross which are racist against Asian Indians (Contra Costa Times, February 27, 2004, [1]). As a result, Mamet removed the language from the latest Broadway revival

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