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Carole King (born February 9, 1942) is an American singer, songwriter, and pianist. She was most active as a singer during the first half of the 1970s, but she was a successful songwriter for considerably longer both before and after this period.//Born in 1942 in Brooklyn, New York, Carole Klein (as she was then known) started out playing the piano and then moved on to singing, forming a vocal quartet called the Co-Sines at Abraham Lincoln High School. While attending Queens College, King befriended Paul Simon, Neil Sedaka and Gerry Goffin.Goffin and King soon formed a songwriting partnership, eventually marrying. Working in the famous Brill Building, where chart-topping hits were churned out during the 1960s, the Goffin-King partnership first hit it big with "Will You Love Me Tomorrow". Recorded by The Shirelles, the song topped the charts in 1961; it was later covered by Dusty Springfield, Laura Branigan, and King herself. Further hits written by the pair include "Take Good Care of My Baby" (Bobby Vee), "The Loco-Motion" (Little Eva, and later Grand Funk Railroad and Kylie Minogue), "One Fine Day" (The Chiffons), "Pleasant Valley Sunday" (The Monkees), "Up on the Roof" (The Drifters, and later James Taylor), "Chains" (The Cookies, and later The Beatles), "(You Make Me Feel Like) A Natural Woman" (Aretha Franklin, and later King herself), and "He Hit Me (And It Felt Like a Kiss)" (The Crystals). She had a modest hit singing one of her own songs in 1962 with "It Might As Well Rain Until September." The pair had two daughters, Louise Goffin and Sherry Goffin Kondor who also became singers. In 1965, Goffin and King wrote a spec theme to Sidney Sheldon's new television series, I Dream of Jeannie, but the song was rejected in favor of an instrumental theme.After failing several times at launching a solo career, King eventually helped pioneer a record label, Tomorrow Records, divorced Goffin and married Charles Larkey (of the Myddle Class). Moving to the West Coast, Larkey, King and Danny Kortchmar formed a group called The City, which released one album, Now That Everything's Been Said, but the album was a commercial failure. King then released Writer (1970), another commercial failure. Undaunted, the following year King gave thoughtful, folk-flavored reinterpretations of some of her early pop hits as a songwriter, placing them on an album alongside new compositions. Tapestry (1971) became a turning point in her career. Her best-received album, Tapestry was instantly recognized as one of the landmark albums of the singer-songwriter genre of the early 1970s. With numerous hit singles, Tapestry would remain on the charts for nearly six years and sell over 11 million copies, remaining her most popular album among fans and critics alike. Music (1971), Rhymes and Reasons (1972) and Wrap Around Joy (1974) followed, each selling respectably
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