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Little Feat is a band who have mixed blues, R&B, country and rock and roll styles together since they formed in 1969 in Los Angeles, and are known for their eclectic blend of many forms of music.The band was formed by two former members of Frank Zappa's Mothers of Invention: songwriter and guitarist Lowell George, who also provided vocals and slide guitar and Roy Estrada on bass guitar. They were joined by drummer Richard Hayward and Bill Payne on keyboards and vocals. The name of the band came from a comment made by Mothers' drummer Jimmy Carl Black about the diminutive size of Lowell's pedal extremities.Legend has it that George showed Frank Zappa his song Willin, and that Zappa fired him from The Mothers, since the song contained drug references. Ironically, when Willin was recorded for the first, eponymous Little Feat album, George had hurt his hand, and could not play the slide part on the song: Ry Cooder was drafted in to play this part. This was one reason why Willin' was re-recorded and included on the lineup for their second album Sailin' Shoes. Sailin' Shoes was also the first Little Feat album to include cover art by Neon Park, who had painted the cover for Zappa's Weasels Ripped My Flesh.The first two albums, Little Feat and Sailin' Shoes, received good reviews and George's song Willin' became a classic, subsequently popularised by its inclusion on Linda Ronstadt's album Heart Like A Wheel. However lack of commercial success led to the band splitting up, with Estrada leaving to join Captain Beefheart's Magic Band. In 1972 Little Feat reformed with bassist Kenny Gradney replacing Estrada, and also adding a second guitarist/vocalist, Paul Barrere, and percussionist Sam Clayton. This new lineup radically altered the Little Feat sound and brought fresh songwriting capabilities to the band. The group went on to record Dixie Chicken (1973)—one of the band's most popular albums, which incorporated New Orleans musical influences and styles—as well as Feats Don't Fail Me Now (1974), which was a studio-recorded attempt to capture some of the energy found in many of their live shows from around that time. The album concludes with a medley of Cold, Cold, Cold/Tripe Face Boogie - songs from Sailin' Shoes - reworked in a "live" style
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